The Reception of the Figure of David in Late Antique Synagogue Art

Full title
The Reception of the Figure of David in Late Antique Synagogue Art
Updated By
Research notes

SHS/not checked/11/04/2018

Reference type
Author(s)
Xeravits, Géza G.
Editor(s)
Géza G. Xeravits
Greg Schmidt Goering
Year
2018
Journal / Book Title || Series Title
Figures who Shape Scriptures, Scriptures that Shape Figures: Essays in Honour of Benjamin G. Wright III
Issue / Series Volume
40
Series Title
Deuterocanonical and Cognate Literature Studies
Publisher
De Gruyter
Place of Publication
Berlin/New York
Pages
71-90
Work type
Label
16/04/2018
Abstract

Depictions of David in Late Antique synagogue art interpret him as a pre-eminent figure of Israel’s past. As triumphant over Goliath, he exemplifies the superiority o f the small Israel over the wealthier surrounding peoples. As the one playing on a lyre, he illustrates his role in establishing formal aspects of Jewish worship, interpreting the synagogue as a kind of continuation of the Temple liturgy. Finally, the Dura murals highlight, on the one hand, David’s virtues and offer in his figure a moral example for the members of the community; on the other hand, his divinely ordered rule compared with several pagan authorities’ benevolent attitude towards Jews consists of a message of consolation and encouragement in turbulent times.