The Reception of the Figure of David in Late Antique Synagogue Art

Updated By
Research notes

SHS/not checked/11/04/2018

Reference type
Author(s)
Xeravits, Géza G.
Editor(s)
Géza G. Xeravits
Greg Schmidt Goering
Year
2018
Journal / Book Title || Series Title
Figures who Shape Scriptures, Scriptures that Shape Figures: Essays in Honour of Benjamin G. Wright III
Issue / Series Volume
40
Series Title
Deuterocanonical and Cognate Literature Studies
Publisher
De Gruyter
Place of Publication
Berlin/New York
Pages
71-90
Work type
Label
16/04/2018
Abstract

Depictions of David in Late Antique synagogue art interpret him as a pre-eminent figure of Israel’s past. As triumphant over Goliath, he exemplifies the superiority o f the small Israel over the wealthier surrounding peoples. As the one playing on a lyre, he illustrates his role in establishing formal aspects of Jewish worship, interpreting the synagogue as a kind of continuation of the Temple liturgy. Finally, the Dura murals highlight, on the one hand, David’s virtues and offer in his figure a moral example for the members of the community; on the other hand, his divinely ordered rule compared with several pagan authorities’ benevolent attitude towards Jews consists of a message of consolation and encouragement in turbulent times.