The Literary Imagination in Jewish Antiquity

The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible, from multiple versions of biblical texts to "revealed" books not found in our canon. Despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, "Bible," and a bibliographic one, "book." The Literary Imagination in Jewish Antiquity suggests ways of thinking about how Jews understood their own literature before these categories had emerged.

Using familiar sources such as the Psalms, Ben Sira, and Jubilees, Mroczek tells an unfamiliar story about sacred writing not bound in a Bible. In many texts, we see an awareness of a vast tradition of divine writing found in multiple locations only partially revealed in available scribal collections. Ancient heroes like David are not simply imagined as scriptural authors, but multi-dimensional characters who come to be known as great writers and honored as founders of growing textual traditions. Scribes recognize the divine origin of texts like the Enoch literature and other writings revealed to ancient patriarchs, which present themselves not as derivative of material we now call biblical, but prior to it. Sacred writing stretches back to the dawn of time, yet new discoveries are always around the corner.

While listening to the way ancient writers describe their own literature-their own metaphors and narratives about writing-this book also argues for greater suppleness in our own scholarly imagination, no longer bound by modern canonical and bibliographic assumptions.

Table of Contents -
|Acknowledgements
|Introduction: Beyond Bible and Book
|1. The Mirage of the Bible: The Case of the Book of Psalms
|Introduction: Milton's Vial and the Uncontained Text
|I. Biblical Spectacles
|II. Why there was no "Book of Psalms" in the Second Temple Period: Manuscripts and the Imagination
|III. Psalms without Psalters: Rethinking Psalms Traditions Beyond "Bible" and "Book"
|Conclusion: Bibliographic Surprises in Early Judaism
|2. The Sweetest Voice: the Poetics of Attribution
|Introduction: What Did Ancient Attribution Claim? Aesthetics and Authorship
|I. Characters in Search of Stories: Authority, Pseudonymity, and Poetics
|II. The Psalm Superscriptions and Davidic Voice
|III. Sinful King to Angelic Bard: The Making of the Sweet Singer of Israel
|Conclusion: The Life of the Writer
|3. Like A Canal from a River: Scribal Products and Projects
|Introduction: The Poetic "I": Historical or Legendary?
|I. The First Jewish Author? Ben Sira and the Authorial Name
|II. What is "The Book of Ben Sira"? Open Books and Authentic Text
|III. The Afterlives of Ben Sira as Text and Character
|Conclusion: Metaphors and Manuscripts
|4. Shapes of Scriptures: The Non-Biblical Library of Early Judaism
|Introduction: "Collecting, if possible, all the books in the world"
|I. Mental Architecture and the Shape of the Sacred Library in Early Judaism
|II. From Forgery to Exegesis: The Non-Biblical Libraries of Modern Publishing
|III. Jubilees as Bibliography: A Native History of Written Revelation
|Conclusion: Bibliography and Totality
|5. Outside the Number: Counting, Canons, and the Boundaries of Revelation
|Introduction: When Haile Selassie Finished the Bible
|I. Qualitative Numbers: Twenty-Two and Twenty-Four Books in Josephus and 4Ezra
|II. Beyond Psalm 150: When King David Finished the Psalter
|III. Canons, Closure, and the Insufficiency of Scripture
|Conclusion: Revelation Out of Reach
|Conclusion
|Bibliography
|Index